Raitt notes that, more than anything, what struck her about the reaction she received when she returned to the phase was the stove and diversity of her consultation. “ My fans stay patriotic and stand up and cheer and love ‘ Angel from Montgomery, ’ but I feel like we built a whole newfangled consultation with the younger Americana genesis, ” she says. “ It ’ second very gratifying to know that there ’ s some grip there—that it wasn ’ deoxythymidine monophosphate equitable a match of songs on the radio around ‘ Nick of Time ’ or ‘ Something to Talk About ’ or ‘ I Can ’ deoxythymidine monophosphate Make You Love Me. ’ What ’ south going on with music now, in terms of roots music, is the harvest of what we did in the ’ 60s and ’ 70s. It ’ s thrilling to be about at this time. I feel part of a continuum. ”
With 2016 ’ randomness Dig In Deep, Raitt kept things focused and close to home. Feeling that her late tour was one of her best ever, she was tidal bore to get her touring ring back in the studio apartment. She again produced the album herself, and notably, she had writing credits on five of the album ’ s songs—the most original compositions she contributed to a record since 1998 ’ second Fundamental. The accolades continued to accumulate ; in 2017, Raitt was honored with a Lifetime Achievement Award from the National Guitar Museum, and In 2018, she received the People ’ sulfur Voice Award from the Folk Alliance International in recognition of her activism.
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As COVID ravaged the world, Raitt suffered the loss of respective close friends and colleagues, including Toots Hibbert and John Prine. In fact, she had spent much of the previous class with Prine, performing at the ceremony when he was inducted into the Songwriters Hall of Fame and on the Grammy celebration of his receiving the Lifetime Achievement Award. She appears on the compilation released by Prine ’ south label, Oh Boy Records, in October 2021—one of the more than 185 outside projects on which Bonnie has participated as a special guest over the years, including work with friends, on soundtracks, and for extra benefit albums. Among the highlights are duets with John Lee Hooker, B.B. King, John Raitt, Aretha Franklin, Willie Nelson, Tony Bennett, and Ray Charles. ( For a complete tilt of record collaborations, please visit hypertext transfer protocol : //www.bonnieraitt.com/discography/guest-discography. )
Twenty-one albums in, Bonnie Raitt has never felt more grateful that she can continue making music, contributing to causes, keeping her crew working, connecting with her hearing. “ I ’ m actually aware of how golden I am and I feel like my duty is to get out there and say something fresh and new—for me and for the fans, ” she says. “ It ’ s very daunting not to repeat yourself, but I have to have something to say, or I wouldn ’ t put out a record. ”
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