Lords of Acid hones obscenity

In the grab-bag that is today ’ s american english techno fit, identical few bands appeal to true techno fans and mainstream audiences, alike. Lords of Acid has managed to bridge this break by expanding into modern areas with an innovative mix of techno and a hard-rock sound .
Lords of Acid ’ s latest album, Farstucker ( Antler Subway Records ) released on Feb. 27, stays as true to its lecherous double as fans can expect. Lords of Acid has maintained only a few coherent features throughout its retentive career – an attribute that helps keep the isthmus ’ s material clean .
Lords of Acid has been on the setting since 1988, when the individual “ I Sit on Acid ” hit the club scene. In the past 13 years the band has released 17 records that have met both critical and popular praise .
But Lords of Acid does not seem like a band that would receive far-flung praise, or even acceptance, due to its often-offensive lyrics and by and large hedonic tone. The songs are about always sexually explicit, and, true to form, band members refuse to tone down their vogue for the sake of radio bet or wider appeal. When begrimed lyrics combine with the hard, dark legal of industrial music, censors and moralists take up their arms.

People frequently complain that Lords of Acid tracks are besides repetitive, that the ring has become dependant on bum samples and beats that rarely, if ever, go anywhere. But as in all dance music, an element of repetition is necessary – that ’ s how the genre works. unfortunately, several tracks seem to rely on one or two samples that, though fun and attention-getting, are not impregnable enough to carry an stallion birdcall. Lords of Acid disappointingly uses sounds from groups like Skinny Puppy and Front 242, but fails to achieve the same level of invention .
Although these problems plague the group at times on its newest album, Farstucker remains a relatively solid album. The band brings in concert multiple genres of music, from techno to industrial to rock, and combines them in an fabulously catchy album .
There is no way to categorize this harrow as any one genre or type of music, as it draws samples, sounds and influence from everywhere. The album is nothing if not diverse, ranging from the wellbeing and stomping “ Feed My Hungry Soul ” to the dark and melodious “ Pain and Pleasure Concerto. ” Lords of Acid covers about every brand of mod dance music, from industrial to pop.

Although the divers range of music makes for an concern album, it besides leaves the hearer a little unfulfilled. At some points, the band seems to try excessively difficult to combine as many genres as possible, making it unmanageable to pinpoint one theme that carries throughout the album. The band is ineffective to truly research new genres while holding onto its master style. Struggling to chart newfangled terrain, the group is held back by its own past .
The band ’ s lyrical focus -wanton, hedonic sex- overshadows the music. But pushing the boundaries of thoroughly smack is nothing fresh for a band with by hits such as “ Show Me Your Pussy ” and “ I Must Increase My Bust. ”

For truthful Lords of Acid fans, the new unblock will likely meet expectations. It is fast, fun and impertinent. Many of the tracks bring Lords of Acid back to its dance roots with a complex and polished techno feel. But more experimental tracks – specially forays into the world of pop – may annoy patriotic listeners .
Farstucker is deceptively mainstream, offering familiar techno beats and sounds that match perfectly with a rave-oriented band. On the other hand, some tracks come off as unfledged industrial, sounding like a hornier version of Marilyn Manson.
Farstucker is in stores now
This article appeared in the March 12, 2001 issue of the Hatchet.

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